Uttar Pradesh Tourism Department
presents mega musical extravaganza on 1st February , 2013.
Featured artists: Bhojpuri singer
Kalpana Patowary.
All Indian Vidyas have at their
foundation the philosophical percept that all activities are for the divine and
even entertainment is for the achievement of the higher goals.
So the Kumbh
Mela is regarded as important to a performer as any other pilgrims where both
the performer and the audience are expected to raise their consciousness levels
through the action of performing or viewing.
Assamese singer and Bhojpuri icon
Kalpana Patowary never fails to surprise the listener. She has been invited by
UP Tourism & Cultural Department to perform for this year’s “greatest show
on Earth” globally, the Maha Kumbh Mela 2013 in Allahabad on 1st February 2013.
Maha Kumbh Mela, often described as the “greatest show on earth” globally, will
go on for next two months and will conclude on Maha Shivaratri on March 10 with
a turnout of about 70 million people from across the country as well as abroad.
The 55-day congregation by the
confluence of the Ganga and Yamuna and the invisible, mythical Saraswti began
on Jan 14 in Allahabad. It is the largest ever gathering of humanity in a
single place in all of history, an event that occurs once every 12 years.
Kalpana Patowary-musician-singer-composer-recording
artist-record producer is going places, literally. She has carved a niche for
herself as a leading vocalist and is flourishing. Her latest conquest was a
rocking performance at the recent India’s Happiest Festival - Bacardi Nh7 Weekender
Pune @ Bandra Fort with world renowned percussionist Trilok Gurtu.
She got International acclaim
with the release of her Bhojpuri musical documentation on the Shakespeare of
Bhojpuri Literature – The Legacy of Bhikhari Thakur from EMI/Virgin Records.
Her latest album to be released in Maha Kumbh 2013 is Maa-e-ri – A Lyrical
conversation with Mother Nature. She is also working on a musical documentation
to lay down connections for the future, about the reformer, a wandering
philosopher, saint and poet, creative genius and consummate artist Mahapurush
Shrimanto Shankardeva and his disciple Srimanta Madhavdeva in Assam who walked
across Northern India, to the source of the Ganges and returned to his people
in the cloistered valley of Assam and called for a union of all the people in a
united Bharatvarsha. He preached Eka-Sarana-Nama-Dharma a monotheistic doctrine
based on the Bhagvata Purana with Surdas, Chandidas, Kabir, Vidyapati the
Maithili Poet and Lyricist, Mirabai, Narsi Mehta the poet saint and Bhakta from
Gujarat, Vallabhacharya the devotional philosopher from Andhra, Chaitanya
Mahaprabhu of Bengal at a time when a young 24 year old Guru Nanak was also
exploring his own vision of Eka-Sarana-Nama-Dharma which he went on to preach
throughout the world as “Ek Omkar Satnam”. It was the dawn of the Bhakti Era.
The language used is Brajawali and she will be credited of bringing back some
of Assams primitive instruments in collaboration for the first time with Trilok
Gurtu - master of Indian music, tabla, percussion, and Western drumming who
plays a unique hybrid East-West drum set up. He is the son of legendary
vocalist Shobha Gurtu.
A multi talented singer,
initially trained in Assamese, folk and Indian Classical music, Kalpana
Patowary a devoted vocalist, sings in 23 different languages, is the darling of
the North Indian belt fondly called as the “BHOJPURI QUEEN’ and has been hailed
as a prodigy in the world of Bhojpuri music. “She gave Bhojpuri Music a new
twist”. Critic wrote that she changed the art of Bhojpuri vocals. Very few
people know that Kalpana Patowary is as versatile that she justify or render
both in raw folk forms as well as western singing. Kalpana Patowary’s music
genre is about primitive / acoustic folk with some traces of Indian classical
music, ambient electronic and new age jazz - fusion.
Many acknowledge her as having
powerfully contributed to a resurgence of Bhikhari Thakur traditions in
Bhojpuri. Kalpana Patowary combines a powerful singing style with a magnetic
ability to communicate with her audiences. Her concerts are more than
entertaining music and are deep engagements with the spiritual and social
thought of music.
As Kalpana says, I don’t want my
folk music to be trapped in our villages. Yes it’s safe there in its original
form, but of no use unless we make the world hear our very soulful and
meditative music. So to make it global I am trying to blend the music of my
homeland with world music and other genres.
A popular name in the live folk
music circuit in the country, Kalpana’s USP is probably the fact that her
recordings carry the same energy that she exudes on stage.
Kalpana said, she has performed
from big cities to small towns and villages in UP to huge crowds before but
this experience will be something else altogether.
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